- EAN13
- 9782847887020
- Éditeur
- ENS Éditions
- Date de publication
- 23/04/2015
- Collection
- Signes
- Langue
- anglais
- Fiches UNIMARC
- S'identifier
Autre version disponible
-
Papier - ENS Lyon 19,00
Yes, you seem to have been anything but an iconophile in your enterprise which
is piled as high with words on one side as with images on the other. Robert
Morris, “Professional Rules” By investigating the prolific oeuvre of Robert
Morris via the prism of writing, this collection of essays provides an
incisive lens into the work of a central figure in the visual arts since the
1960s, associated in turn with minimalism, postminimalism, conceptualism, and
land art. Morris has often been labeled a theorist, although his writing
mobilizes a wide variety of genres. He has espoused the style of art
criticism, the verve of the polemic, as well as the forms of prose fiction and
autobiography. But beyond his writerly craft, he has incorporated text into
prints, sculptures, performances, installations, weaving a tight net between
text and visual practice. This book brings together contributions from art
historians, literary scholars, philosophers, filmmakers, and writers to shed
light on an important yet overlooked aspect of Morris’ work. Illustration :
Robert Morris, Investigations: Could I also Represent Hope in this Way?
Hardly. And What about Belief?, 1990. Graphite on vellum, 18 × 18 inches (45.7
× 45.7 cm). Photo: Courtesy of Robert Morris and Sonnabend Gallery, New York.
© 2010 Robert Morris/Artists Rights Society (ARS), New York.
is piled as high with words on one side as with images on the other. Robert
Morris, “Professional Rules” By investigating the prolific oeuvre of Robert
Morris via the prism of writing, this collection of essays provides an
incisive lens into the work of a central figure in the visual arts since the
1960s, associated in turn with minimalism, postminimalism, conceptualism, and
land art. Morris has often been labeled a theorist, although his writing
mobilizes a wide variety of genres. He has espoused the style of art
criticism, the verve of the polemic, as well as the forms of prose fiction and
autobiography. But beyond his writerly craft, he has incorporated text into
prints, sculptures, performances, installations, weaving a tight net between
text and visual practice. This book brings together contributions from art
historians, literary scholars, philosophers, filmmakers, and writers to shed
light on an important yet overlooked aspect of Morris’ work. Illustration :
Robert Morris, Investigations: Could I also Represent Hope in this Way?
Hardly. And What about Belief?, 1990. Graphite on vellum, 18 × 18 inches (45.7
× 45.7 cm). Photo: Courtesy of Robert Morris and Sonnabend Gallery, New York.
© 2010 Robert Morris/Artists Rights Society (ARS), New York.
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